Monday, 19 October 2015
Thomas Bewick's Last Days with a Commentary by Iain Bain
From the Fleece Press website:
"Aware that his final days were approaching, Thomas Bewick made a journey – only his second – to London in 1828 in order to dispose of remaining stocks of his books, and to see old friends. The journey began on his 75th birthday, and within three months he had died. He wrote the account of his journey on a single small piece of paper, and his daughter Jane later pasted it into a bound set of corrected proofs of her father's Memoir. Iain Bain, renowned scholar of all that is Bewick, has added a prefatory note and fascinating commentary bringing Bewick's account to life.
200 copies have been printed, all bearing one engraving by Thomas Bewick (his silhouette portrait of his friend Robert Pollard) printed from the block, and of these, 100 have an extra TB engraving, of his smaller version of Waiting for Death, printed by Iain Bain from the original block for the book. The standard copies carry this engraving but only in reproduction; Iain Bain has also signed each special copy of the book under TB's own facsimile wood-engraved signature, printed from the block. All copies are bound in quarter cloth and a wonderful marbled paper made by Antonio Velez Celemin for the book; the special copies are housed in a Cheviot tweed pouch made for the book by Sally Lucas.
This is a small book of 34 pages with six tipped-in illustrations, as well as a hand-coloured title page..."
All enquiries to
Simon Lawrence, The Fleece Press, 95 Denby Lane, Upper Denby, Huddersfield HD8 8TZ .
Telephone 01226 792200; email firstname.lastname@example.org
Tuesday, 13 October 2015
“We no longer nowadays salute ‘Nature’ with the unhesitating confidence invested in the concept by Audubon or by writers such as William Wordsworth, another of Bewick’s numerous admirers. And yet Diana Donald’s impressive recent study, The Art of Thomas Bewick, demonstrates the surprising resilience of the American visitor’s assessment. At the end of her scrupulous inquiry into the political, religious, and cultural circumstances in which Bewick’s work was undertaken, the Northumbrian natural historian still stands, however we interpret him, as an innovator rather than an imitator, and as an artist who worked, as much as any artist can, from freshly won experience rather than by cleaving to cultural precedent.”—New York Review of Books
You can find the review online here.
(Although you'll need a subscription to read the whole article.)